- Dr Kevin Sanson
- Discipline Leader
Creative Industries Faculty,
School of Communication
- Senior Lecturer
Creative Industries Faculty,
School of Communication
- Discipline *
- Communication and Media Studies, Cultural Studies
- +61 7 3138 5480
- View location details (QUT staff and student access only)
- Identifiers and profiles
PhD (University of Texas at Austin)
- Professional memberships
Dr Sanson is an active member of the Society for Cinema and Media Studies. As a graduate student, he was elected to serve on the Society’s Board of Directors. He continues to volunteer for committee work and regularly presents at the annual conference. He also is a chief investigator in the Digital Media Research Centre at QUT.
media industries, globalization, creative labour, creative industries
Dr Kevin Sanson is a Senior Lecturer in the School of Communication at Queensland University of Technology, and a Chief Investigator at QUT’s Digital Media Research Centre. Additionally, he is a co-founder of Media Industries, a global, peer-reviewed, open access journal for critical media industries research. He currently serves as the journal’s managing editor. Previously, Dr Sanson was the Research Director of the Carsey-Wolf Center’s Media Industries Project at the University of California, Santa Barbara.
Dr Sanson’s research areas include critical media industry studies, focusing especially on film and television; media globalization; creative labour; and digital distribution. His current work examines how the spatial dynamics of screen media production are transforming working conditions and practices in global production hubs.
Other research and teaching interests include film and television history; production cultures; creative industries and clusters; cultural geography; regional identities and the media, with a focus on Scotland; and national cinema debates, with a focus on the UK. His graduate research focused on the shifting production cultures in Glasgow, Scotland, as a consequence of the city’s renewed focus on creative industries and digital media in its economic and cultural strategies. Dr Sanson has published in International Journal of Cultural Studies, Television & New Media, and the Sage Handbook of Television Studies, among others. He is co-editor of Voices of Labor: Creativity, Craft, and Conflict in Global Hollywood (UC Press 2017), Precarious Creativity: Global Media, Local Labor (UC Press 2016), Connected Viewing: Selling, Streaming, & Sharing Media in the Digital Era (Routledge 2014) and Distribution Revolution: Conversations about the Digital Future of Film and Television (UC Press 2014).
Dr Sanson has taught courses on creative labor; cinema history; media and cultural studies; and race, ethnicity, and the media, among others. At QUT, he is the study area coordinator for entertainment industries and has coordinated the following units:
- KXB102: Global Entertainment
- KXB201: Entertainment Practice
He supervises or co-supervises a number of honors and postgraduate students studying topics such as:
- Digital media producers
- Australian public service broadcasting in the digital age
- ‘Blockbuster’ museum exhibitions
- Myanmar music industry and copyright regulations
- Chinese social media influencers
- Indian content creators and streaming media services
Dr Sanson also supervises two international study tours:
- How Hollywood Works (June) is an immersive learning experience for undergraduate students that emphasizes the relationship between place, culture, and the entertainment economy in Los Angeles, and includes attending the annual ‘Produced by Conference.’
- The mipCOM Study Tour (October) is an immersive learning experience that exposes undergraduate students to global trends in the entertainment marketplace with site visits in London and Paris, and includes work experience with Australian broadcasters and distributors at the annual mipCOM international television sales market and conference in Cannes, France.
In his previous post at the Carsey-Wolf Center’s Media Industries Project (MIP) at UC Santa Barbara, Dr Sanson collaborated with the project’s directors to provide strategic leadership and operational management over large-scale, global research initiatives, resource development, publishing activities, and public programming. He facilitated the project’s relations with industry partners and funders, convened workshops and conferences with academics and industry practitioners, and oversaw all design and editorial decisions for the MIP website. He regularly interfaced with screenwriters, directors, and producers, union and guild representatives, and executives from the major studios. During his tenure, MIP collaborated with Warner Bros. Home Entertainment on a multi-year international research venture focused on the integration of digital technology with traditional screen media practices. MIP also engaged a range of film and television workers, union and guild representatives, and international scholars on potential research outputs in accordance with a global initiative on working conditions in the screen industries. Dr Sanson also participated in the formation of the first peer-reviewed, open-access journal for media industries research, an international collaboration among six institutions, including QUT, on four different continents. He is a founding member of the editorial collective and currently serves as the journal’s managing editor.
- Sanson KL, (2018) Stitching it all together: Service producers and the spatial dynamics of screen media labor, International Journal of Cultural Studies p359-374
- Curtin M, Sanson KL, (2017) Voices of labor: creativity, craft, and conflict in global Hollywood, University of California Press
- Curtin M, Sanson KL, (2017) Listening to labor, Voices of labor: creativity, craft, and conflict in global Hollywood p1-17
- Curtin M, Sanson KL, (2016) Precarious creativity: Global media, local labor, University of California Press
- Curtin M, Sanson KL, Vanderhoef J, (2016) Creative labor in cinema and media industries, Cinema and media studies [Oxford Bibliographies] p1-3
- Curtin M, Sanson K, (2015) The division of labour in television, The SAGE handbook of television studies p133-143
- Sanson K, (2015) Corresponding geographies: Remapping work and workplace in the age of digital media, Television and New Media p751-768
- Holt J, Sanson K, (2014) Connected viewing: selling, streaming, and sharing media in the digital era, Routledge
- Curtin M, Holt J, Sanson K, (2014) Distribution revolution: Conversations about the digital future of film and television, University of California Press
- Sanson K, (2011) We don't want your must-see TV: Transatlantic television and the failed 'coupling' format, Popular Communication p39-54
For more publications by this staff member, visit QUT ePrints, the University's research repository.