- Dr Bree Hadley
- Head of Postgraduate Coursework Studies
Creative Industries Faculty,
CIF Academic Programs,
PG Coursework Staffing and Support
- Senior Lecturer
Creative Industries Faculty,
School of Media, Entertainment and Creative Arts,
- Discipline *
- Performing Arts and Creative Writing, Communication and Media Studies
- +61 7 3138 3225
- +61 7 3138 3975
- View location details (QUT staff and student access only)
PhD (Monash University), Master of Education (Higher Education) (Queensland University of Technology), Master of Arts (Writing and Literature) (Deakin University), Graduate Certificate in Arts & Entertainment Management (Deakin University), Bachelor of Arts in Creative Arts (Griffith University)
- Professional memberships
Immediate Past President + Treasurer, Australasian Association for Theatre, Drama and Performance Studies (ADSA) Director, Performance Studies international (PSi)
Body, Contemporary, Physical, Public Space Performance, Disability, Spectatorship
Bree Hadley is Head of Postgraduate Coursework Studies in the Creative Industries Faculty at QUT, where she coordinates a range of postgraduate courses in design, digital media, arts management, marketing and advertising, entrepreneurship and innovation. Hadley’s PhD, analysing the way Asian-influenced physical theatre practitioners in Australia subvert stereotypes of gender and race through physical performance practice, was completed at Monash University in 2005. Her work post-PhD has continued to investigate the construction of identity in contemporary, pop cultural and public space performance – live and online public space performance – often concentrating on the way artists marked by disability and other bodily differences mobilise images and media from the public sphere to subvert stereotypes, and the way spectators respond to such work. She has a particular interest in performances which position spectators as co-performers or co-creators. Hadley’s research has appeared in her most recent book Disability, Public Space Performance & Spectatorship: Unconscious Performers (Palgrave), and in many scholarly journals, including Performance Research, About Performance, Liminalities, Australasian Drama Studies, Brolga: An Australian Journal About Dance, M/C Media and Culture Journal, Scope: An Online Journal of Film and Television Studies, Asia Pacific Journal of Arts and Cultural Management, Journal of Further and Higher Education. She is currently working on two book projects, one on Theatre, Social Media and the Democratisation of Spectatorship, and one on The Performativity of Pranks – Dark Play, Spectatorship and Subversive Social Practice. Hadley has also written extensively for newspapers and online platforms such as The Australian, ArtsHub and Australia Stage Online. Hadley is immediate past President and now Treasurer of the Australasian Association for Drama, Theatre and Performance Studies (ADSA), a Director of Performance Studies international (PSi), and a nationally recognised commentator on all forms of drama, theatre and performance as a result of her role as a critic for The Australian, judge for the Matilda Awards, and committee member and consultant to many arts agencies, organisations and festivals. Prior to joining QUT in 2007, Hadley worked as a dramaturg, director and administrator for independent theatre companies (including, most recently, Theatre@Risk and Walking into Bars in Melbourne), and the Glen Eira City Council, and taught drama, literature, writing, communications and cultural studies at Deakin University, Victoria University, Monash University, and Swinburne University of Technology TAFE.
In the past decade, Hadley has been appointed to many leadership roles in the Creative Industries Faculty at QUT –
- Chair, Creative Industries Faculty Equity Committee, 2010-Date
- Faculty Research Ethics Advisor, Postgraduate Coursework, CIF, 2015-Date
- Postgraduate Study Area Coordinator, Drama, CIF, 2014-2015
- Postgraduate Study Area Coordinator, Creative Production & Arts Management, CIF, 2008-2012
- Bachelor of Creative Industries Core Unit Coordinator, Events & Festivals, CIF, 2012-2014
- Transitions to Professional Environments (Internships & Industry Projects) Coordinator, Drama, 2008-2011
- Honours Coordinator, Drama, 2007-2011
Hadley has also acted as Unit Coordinator, Lecturer, Tutor, Workshop Leader, and Industry Project and Internship supervisor for thousands of students across dozens of different units, including –
HDR Postgraduate & Professional Development Modules
- KKM001 Introduction to Personal Social Media Networking (Coordinator, Facilitator)
- KKM001 Professional Social Media Networking (Coordinator, Facilitator)
- ATN Critical & Creative Thinking (Coordinator, Facilitator)
Master of Creative Industries Units in Arts Management, Event Management, Entrepreneurship
- KKP001 Entrepreneurship and the New Economy (Coordinator, Lecturer, Tutor)
- KKP002 20:20 Vision: Imagining the Creative Future (Tutor)
- KKP111 Digital Tools in the Creative Economy (Coordinator, Lecturer, Tutor)
- KKP112 Telling Stories: Narrative in CI (Lecturer)
- KKP414 Digital Writing: Words Under Glass (Lecturer)
- KTP406 CI Events & Festivals (Coordinator, Lecturer, Tutor)
- KTP409 Arts & Cultural Management (Coordinator, Lecturer, Tutor)
- KKP408 Marketing Arts & Culture (Coordinator)
- KKP402 Managing Money in the Arts (Coordinator)
- KKP404 Arts & Cultural Policy (Coordinator)
- KTP411 Advanced Practice in CP&AM (Coordinator, Lecturer, Tutor)
- KKP411 Major Project in Arts & CI Management (Coordinator, Lecturer, Tutor)
- KKP003 Project Design in Creative Industries (Study Area Advisor, Coordinator, Lecturer, Tutor)
- KKP004 Innovation in Creative Industries: Major Project (Coordinator, Lecturer, Tutor, Supervisor)
Bachelor of Creative Industries Units in Arts Management, Event Management, Entrepreneurship
- KTB211 Creative Industries Events & Festivals (Coordinator, Lecturer, Tutor)
- KTB210 Creative Industries Management (Coordinator, Lecturer, Tutor)
- KTB305 The Entrepreneurial Artist (Coordinator, Lecturer, Tutor)
Bachelor of Fine Arts (Drama) Units in Process, Applied & Community Performance
- KTB102 Process Drama (Coordinator, Lecturer, Tutor)
- KTB209 Applied Performance (Coordinator, Lecturer, Tutor)
Bachelor of Fine Arts (Drama) Units in Contemporary Performance & Production
- KTB101 Understanding Theatre (Guest Lecturer)
- KTB104 Performance Innovation (Lecturer)
- KTB105 Production 1: Storymaking (Director)
- KTB204 / KTP401 Understanding Performance (Coordinator, Lecturer, Tutor)
- KTB207 Staging Australia (Lecturer)
Masters and Bachelors Units in Workplace Learning
- KKB341/2/3/4 Workplace Learning (Discipline Unit Coordinator, Supervisor)
- KKP320 Advanced Workplace Learning (Discipline Unit Coordinator, Supervisor)
- KKB345 & KKP346 Creative Industries Project (Project Supervisor)
Creative Producer, Fluid States, Performance Studies international (PSi) Annual Conference, 2015.
Conference Convenor + Producer, Compass Points, Australasian Association for Drama, Theatre & Performance Studies (ADSA) Annual Conference, 2014.
Member, Management Committee, Youth Arts Queensland, 2010-2104.
Member, National Advisory Committee, JUMP National Mentoring Program for Young and Emerging Artists, Australia Council for the Arts / Youth Arts Queensland, 2009-2011.
Member, Judging Committee, Matilda Awards for Excellence in Brisbane Theatre, Arts Queensland, 2009-2011.
Judge, Geoffrey Milne Bursary and Veronica Kelly Prize, Australasian Association for Theatre, Drama & Performance Studies (ADSA), 2007-2014.
Consultant + Program Evaluator, ‘Creating Queensland’ Community Partnerships Program Evaluation, Brisbane Festival / Australia Council for the Arts, 2010.
Documentation Team Leader, Exist in 08, Judith Wright Centre for Contemporary Arts, 2008.
Documentation Team Leader, Magdalena Brisbane Easter Gathering, Metro Arts, 2008.
Coordinating Committee, Magdalena Brisbane Easter Gathering, Metro Arts, 2008.
Manuscript Reviewer – Palgrave, Routledge, Methuen + numerous journals, ongoing.
Member, Editorial Board – Liminalities Journal, Performance Paradigm Journal, ongoing.
- Hadley BJ, Trace G, Winter SJ, (2010) Uncertainties that matter: Risk, response-ability, ethics and the moment of exchange in live art, About Performance p137-151
- Hadley BJ, Rajak J, Filmer A, Caines R, Read A, (2010) The 'dirty work' of the lie, Performance Research: a journal of the performing arts p123-129
- Hadley BJ, Caines R, (2009) Negotiating selves : exploring cultures of disclosure, M-C Journal p1-12
- Hadley BJ, (2008) During and enduring: Forced Entertainment's 'Bloody Mess' and the manipulation of time in performance, Being There: After-Proceedings of the 2006 Conference of the Australasian Association for Drama, Theatre and Performance Studies p1-10
- Hadley BJ, (2008) Mobilising the monster: Modern disabled performers' manipulation of the freakshow, M - C Journal p1-7
- Hadley BJ, (2008) Influences, institutions and outcomes: A survey of Masters and Doctoral theses on actor training in Australia, 1979-2004, Australasian Drama Studies p8-16
- Hadley BJ, (2008) Reality just arrived - Mark Ravenhill's 'Faust is Dead', International Faust Studies: Adaptation, Reception, Translation p259-275
- Hadley BJ, (2007) Partnerships, Social Capital and the Successful Management of Small Scale Cultural Festivals: A Case Study of Hobart's Antarctic Midwinter Festival, Re-eventing the City/Town: Events as Catalysts for Social Change: Fourth International Event Research Conference Proceedings p1-11
- Hadley BJ, (2007) Unthinkable Complexity: Dance, Datascapes and the Desire to Connect in Lucy Guerin's Aether, Brolga: an Australian journal about dance p17-25
- Hadley BJ, (2007) Dis/identification in Contemporary Physical Performance: NYID's Scenes of the Beginning from the End, Australasian Drama Studies p111-122
For more publications by this staff member, visit QUT ePrints, the University's research repository.
Awards and recognition
- Academic Honours, Prestigious Awards or Prizes
- Reference year
- Creative Industries Faculty Dean's Award for Leadership
Completed supervisions (Doctorate)
- International Acclaim: The Role(s) of the International Film Festival in Supporting Emerging Women's Cinema (2013)
- Mind Games (2011)
- Australian Queer Student Activists' Media Representations of 'Queer (2010)